REVIEWS
Voice of the Prairie
North Coast Repertory Theater
“The lighting is also subtle, and effective in evoking just the right mood.
Whether it is the campfire or a sunset we are having illuminated for us, it is real.
The dark parlor of a blind woman is a powerful reminder that Frankie does have a lack of physical vision,
although no lack of vision of spirit.”
Kathleen Downs
SD Theater Scene
Cat On A Hot Tin Roof
Cygnet Theater
“M. Scott Grabau's sound design is so exceptionally
detailed you can hear the rattling of shower curtain rings along
the rod in an unseen shower stall.”
Pam Kragen
North County Times
“M. Scott Grabau’s outstanding sound
design features the hum of the outdoors, the shrieks and taunts
of children, the crash of a thunderstorm, all echoing the turbulence
inside.”
Pat Launer
San Diego Theater Scene
“M. Scott Grabau's sound design is rich.
The music choices complement, but don't intrude on the action.
His preshow effects, as well as those throughout the play, move
the plot and the dialog. At one point a thunder and lightning
storm builds as the passions inside the mansion become ever more
intense.”
Robert Hitchcox
Hitchcox On Line
Biederman and the Firebugs
Cygnet Theater
“M. Scott Grabau's Looney Tunes sound effects
and Eric Lotze's lighting and projections add to the play's goofy
flair.”
Pam Kragen
North County Times
“M. Scott Grabau’s sound design is
even more creative: from the recordings of Weimar-era music used
to set the mood (some of which sound like re-creations from Frisch’s
time) to the brilliant surround-sound effects used in the play’s
most tense moments, everything we hear adds to the overall mood
and power of Frisch’s script.”
Mark Gabrish Conlan
Zenger's Newsmagazine
“M. Scott Grabau did an outstanding job
with the sound effects and various backgrounds.”
Robert Hitchcox
Hitchcox On Line
Communicating Doors
Cygnet Theater
“M. Scott Grabau's sound, as usual, gives
dimension to the production.”
Robert Hitchcox
Hitchcox On Line
Dracula
North Coast Repertory Theater
“The lighting (M. Scott Grabau) turns from
shadowy and obscure to blood-red.”
Pat Launer
San Diego Theater Scene
Mourning Becomes Electra
UCSD Department of Theater
“Jennifer Anderson's costumes are appropriate
to the period and to the characters, while M. Scott Grabau's lighting
contributes to the intimidating atmosphere.”
Bill Fark
North County Times
“Sterling acting from top to bottom and
artful direction by Suzanne Agins, amidst Patrick Larsen’s
exquisite sets, M. Scott Grabau’s magnificent lighting,
and Jennifer Anderson’s beautiful costumes, combine to create
an extraordinary evening of tragic theatre.”
Rob Hopper
San Diego Playbill
The Smell of the Kill
North Coast Repertory Theater
“Chris Rynne’s lighting and M.Scott
Grabau’s sound design (especially the floor-rattling pounding
of ‘the guys’) are quite effective.”
Pat Launer
San Diego Theater Scene
The Curse of the Starving Class
Cygnet Theater
“But the suggestive, working kitchen (set
design by Cygnet’s Sean Murray) is excellently enhanced
by the evocative sound design (M. Scott Grabau) and lighting (Eric
Lotze). We truly see/hear/feel/smell Shepard’s gritty, rustic
America. And it isn’t a pretty picture.”
Pat Launer
San Diego Theater Scene
“Eric Lotze's lighting isolates or dapples
characters lost in memory or fantasy, while sound designer M.
Scott Grabau turns a symbolically empty old refrigerator into
a voice-altering machine whenever these emotionally starving characters
open that fridge door.”
Anne Marie Welsh
San Diego Union Tribune
Thoroughly Modern Millie
Moonlight Amphitheater
“The 17-piece orchestra (under O’Donnell’s
direction), provides robust musical support, and the sound system/design,
under the aegis of the ever-reliable M. Scott Grabau, is thankfully
first-rate.”
Pat Launer
San Diego Theater Scene
Long Story Short
San Diego Repertory Theater
“M. Scott Grabau provided exceptional lighting
that changed the look and feel of the spartan set in an instant
(Mr. Grabau's lighting also made possible smooth transitions during
the many times that the script jumped in time).”
Bill Eadie
SanDiego.com
Back to Bacharach and David
North Coast Repertory Theater
“And Marty Burnett's geometrically patterned
set is given a near endless variety of looks with M. Scott Grabau's
colorful lighting design.”
Pam Kragen
North County Times
Ain’t Misbehavin’
San Diego Repertory Theater
“The excellent band consisted of, besides
their pianist director JMichael, bass fiddler Kevin Cooper, M’tafiti
Imara on various woodwinds, and percussionist Danny King –
all well served by M. Scott Grabau’s sound design.”
George Weinberg-Harter
SanDiego.com
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